864 agencies indexed·Latest entry: 28 August 2026
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Industry · 178 agencies

Media & Entertainment agencies.

Media and entertainment marketing is the discipline of launching and sustaining audiences for streaming services, broadcast TV, theatrical films, music releases and publishing or gaming-adjacent IP. It is distinct because subscription churn maths governs everything for streamers, theatrical release windows have compressed to weeks rather than months, and BBFC, Ofcom and ASA rules gate what can run as creative.

At a glance
  • 178 UK agencies with media & entertainment experience
  • Across 29 UK locations
  • Reviewed 18 May 2026
Showing 73-96 of 178 media & entertainment agenciesView in full archive
Zebedee logo
Zebedee
Independent·London·2-10 Employees

As a leading web design agency headquartered in London, Zebedee is the trusted choice of prominent international brands for the production of visually arresting, high-performance, and sturdy websites. Our clients have the flexibility to choose from our bespoke services or entrust the full process to Zebedee - encompassing everything from web strategy and design, to hosting and continuous support.

Furthermore logo
Furthermore
Independent·London·2-10 Employees

Moreover, a London-based product and service design agency, excels in its distinct evidence-backed methodology. Harnessing a blend of research and keen commercial insight, the agency drives customer experience transformation and strategic decision-making for a broad spectrum of clientele. Specialising in innovation, Moreover deploys a cross-functional team to fine-tune and enhance products and ser

Planit logo
Planit
Independent·London·11-50 Employees

Based in London, UK, Planit serves as a premier performance marketing agency. The unique facet of Planit lies in its emphasis on crafting a dynamic conversion engine that synergises with advertiser customer data. This meticulous optimisation of campaigns daily not only secures the attainment of fresh customers but also escalates the revenue from returning clients. Planit is committed to providin

BeUniqueness logo
BeUniqueness
Independent·Manchester·2-10 Employees

BeUniqueness, an eminent and accolade-laden UK-based agency, is committed to advancing and transforming diverse facets of your brand strategy. From the development of captivating ad scripts and creatives to the construction of potent sales funnels and copies, BeUniqueness provides a broad spectrum of services. Notably, BeUniqueness shines in email marketing, search engine optimisation, blog conten

Goram & Vincent logo
Goram & Vincent
Independent·Bristol·2-10 Employees

Surely, share the core details or prominent aspects from your page that you wish to highlight, and I will skilfully create an engaging three-line introduction for your brand, optimised for search engine rankings. Remember to use UK English and maintain a similar length of text.

Contrast logo
Contrast
Independent·Nottingham·2-10 Employees

Contrast Digital, a prestigious eCommerce digital marketing agency situated in Nottingham, UK, holds a reputation for its distinguished growth strategy. This unique methodology, crafted from their direct experience in managing prosperous eCommerce enterprises, centres on customer acquisition, retention, and propelling scalable, sustainable, and profitable growth. By exploiting comprehensive insigh

Totally Digital logo
Totally Digital
Independent·London·11-50 Employees

As a premier, SEO-centric digital firm hailing from London, Totally Digital stands out for its data-led strategies that markedly amplify organic reach while drawing in top-tier traffic. This efficacy is underpinned by compelling figures including a 400% surge in traffic and more than 1,000 No. 1 rankings. With a solid faith from both established industry giants and cutting-edge startups, Totally D

We Make Films logo
We Make Films
Independent·Bristol·2-10 Employees

At We Make Films, we're your one-stop destination for all your video production needs, offering a seamless, stress-free process from beginning to end. We understand the complexities that come with creating videos, that's why we're committed to streamlining every step. From the initial planning stages through to the final cut, our professional team works in close partnership with you to bring your

Crowdform logo
Crowdform
Independent·London·11-50 Employees

Crowdform operates as a pioneering venture and digital product studio, located in London and São Paulo. This brand excels in developing cutting-edge digital solutions and initiating ventures designed for the progressing web, emphasising on advancements in Web3, DeFi, and gaming sectors. What differentiates Crowdform is its comprehensive understanding of user challenges and its ability to create te

Fyber Agency logo
Fyber Agency
Independent·Leeds·11-50 Employees

Fyber, a versatile agency nestled in Leeds, delivers an array of services via its distinct divisions: Fyber Digital, Fyber Live, and Fyber Direct. Fyber Digital excels in brand development and website design, Fyber Live shines in the sphere of events and exhibitions, whereas Fyber Direct is a leading provider of mail and print solutions. Through this holistic approach, Fyber is adept at furnishing

Roboto Studio logo
Roboto Studio
Independent·Nottingham·2-10 Employees

Situated in the heart of London, Roboto Studio is a leading web development agency specialising in crafting premium, scalable websites and web applications powered by Sanity CMS and Next.js. We pride ourselves in delivering unparalleled editorial experiences, with a strong emphasis on swift optimisation and the deployment of advanced development methods. This ensures our clients' websites are not

Bopgun logo
Bopgun
Independent·Bristol·2-10 Employees

Our Bristol-based design agency is renowned for its dedication to crafting exceptional experiences that captivate and please, guaranteeing brands not only stand out, but also secure enduring outcomes. With a strong emphasis on amplifying customer journeys, our agency persistently provides powerful solutions, customised to address the varied requirements of our clientele.

Pixeltree Media logo
Pixeltree Media
Independent·Manchester·11-50 Employees

Pixeltree Media, a leading experience design agency headquartered in Manchester, is renowned for its commitment to forging outstanding digital experiences. Specialising in in-depth research and bespoke strategies, the agency propels businesses to new heights. Their distinctive methodology incorporates unrivalled user experience workshops and design sprints. This innovative method morphs convention

AND THE NEW logo
AND THE NEW
Independent·London·11-50 Employees

AND THE NEW, a renowned digital marketing agency located in the heart of London, specialises in the sports, entertainment, and gaming sectors. Recognised for its proficiency in crafting campaigns that not only captivate and engage but also effectively convert, the agency adopts a holistic strategy encompassing content planning, production, social media management, and digital asset creation. Estee

Webpop Design logo
Webpop Design
Independent·London·2-10 Employees

At Webpop Design, we specialise in creating insightful websites, interactive databases, and fully adaptable e-commerce platforms, showcasing our proficiency in web design and development. Since our establishment in 2008, based in the heart of London, Webpop Design has excelled in crafting numerous WordPress themes for a broad spectrum of clients across diverse sectors. No project is too small or l

RANE Digital logo
RANE Digital
Independent·Belfast·2-10 Employees

RANE, an innovative digital marketing firm headquartered in Northern Ireland, excels in delivering impactful digital strategies with a unique fusion of creativity and expertise. As an industry leader in diverse services such as web design, SEO, PPC, social media, and graphic design, RANE is renowned for its results-oriented approach. Their commitment to excellence in creating exceptional digital p

Sennep logo
Sennep
Independent·London·2-10 Employees

Established in 2003, Sennep is a prestigious agency acknowledged for its proficiency in user interface and experience design, particularly in the UK. More than simply crafting clever and user-friendly products, Sennep elevates the user journey with elements of joy, creativity, and a unique brand persona, a philosophy they fondly term "the human touch." The agency's nimble and multifaceted team wor

Tangent logo
Tangent
Independent·London·51-200 Employees

At Tangent, our expertise lies in crafting strategies and refining final designs that enhance life experiences. Our commitment to digital sustainability is as significant as our dedication to aiding clients in achieving their business aspirations. Our diverse team of 90 global professionals, based in locations including Newcastle, London, Spain, South Africa, and Pakistan, provides us with a rich

TAC Design logo
TAC Design
Independent·Newcastle·2-10 Employees

Located in Newcastle upon Tyne, TAC Design is an esteemed web design and branding agency specialising in delivering strategic and purpose-driven brand and website designs. Our unique approach involves gaining a deep understanding of our clients and their target audiences, enabling us to create meaningful designs that resonate. Our emphasis on consistency and meticulous attention to detail sets us

SmallGiants logo
SmallGiants
Independent·London·11-50 Employees

SmallGiants, a London-based, comprehensive brand evolution and digital marketing agency, excels in crafting sturdy brand, marketing, and tech infrastructures that foster business growth and expansion. Uniquely, they offer services including full-funnel lead generation, data management frameworks, and vibrant brand identity development. Their acclaimed methodology is guided by insightful data, aimi

Ledger Bennett logo
Ledger Bennett
Independent·London·2-10 Employees

Ledger Bennett, a premier marketing agency situated in the heart of London, prides itself on fostering customer-centric business expansion. We are renowned for orchestrating an effortless progression from the onset of engagement to enduring customer loyalty. Utilising our profound expertise, Ledger Bennett crafts bespoke marketing strategies that nimbly adjust to our clients' fluctuating needs.

Gekkoshot logo
Gekkoshot
Independent·Belfast·2-10 Employees

Gekkoshot, a premier digital marketing firm stationed in Belfast, is renowned for its wide-ranging services. Our expertise encompasses web design, SEO, social media management, and bespoke content creation. At Gekkoshot, every client receives a tailor-made strategy crafted to effectively propel their brand visibility and organically boost lead generation. Our commitment towards client triumph is d

Profile logo
Profile
Independent·London·11-50 Employees

Profile is an esteemed thought leadership firm located in the heart of London. Our unique selling point is the seamless fusion of PR, social media, and multimedia capabilities, empowering our clients to enhance their sector influence with finely-tuned campaigns. Boasting a global footprint and a dedicated team, Profile excels in metamorphosing individuals and enterprises into credible, esteemed au

Wildish & Co. logo
Wildish & Co.
Independent·London·2-10 Employees

Wildish & Co., a London-based creative studio, differentiates itself by invigorating brands with a distinctive fusion of branding, strategic planning, innovative campaigns, marketing, and digital solutions. They spotlight creativity and teamwork to generate a positive influence. Their dedication to crafting dynamic, captivating brand interactions enables them to metamorphose businesses into unforg

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Editor's note
AgencyIndex lists 171 UK agencies positioning into media and entertainment. They split across a handful of recognisable shapes: streaming and SVOD work for the global platforms and their UK launches, broadcast TV work for the public-service broadcasters and their on-demand arms, film and theatrical marketing for studios and independents, music marketing for the three majors (Universal, Sony, Warner) and the 500-plus BPI independents, and a smaller slice working publishing and gaming-adjacent IP. Most are clustered in London where the platforms, broadcasters, labels and distributors sit, with notable Manchester and Bristol pockets tied to MediaCityUK and the BBC. The sector is distinctive for several reasons. Subscription churn maths drives every brief for a streamer: the cost of acquiring a subscriber has to clear lifetime value across a churn curve that the marketing itself is partly shaping. Theatrical release windows have compressed sharply from the pre-pandemic 90-day standard, with Universal at roughly 17 days to PVOD on some titles, Paramount at 30 days, and the wider industry settling around 45 days as a working norm. Disney's average to its own PVOD window in 2025 sat at 57 days. That compression forces opening-weekend campaigns into much narrower attack windows. Compliance overhead is unusually heavy: BBFC ratings gate trailers and creative assets for theatrical and on certain digital surfaces, Ofcom's Broadcasting Code applies to linear and (under the Media Act 2024) increasingly to designated VOD services, and the ASA has been active on streaming-subscription price-claim transparency. Talent, music-sync and rights clearance are baked into creative production costs in a way that does not exist in most other sectors. What is shifting in 2025 and 2026 is the discovery layer and the regulatory perimeter at the same time. AI Overviews now appear on a sharply growing share of entertainment queries, intercepting "what to watch tonight" and "is X good" queries before the click, and Nielsen-cited research puts 49% of Gen Alpha already preferring AI chatbots as their primary recommendation source. SVOD penetration has plateaued at around two-thirds of UK households and selectivity is rising: Barb data shows ad-supported tiers (35% of Netflix homes, 30% of Disney+ homes in Q3 2025) becoming the volume battleground rather than premium ad-free. Linear TV's weekly reach has fallen to 73.8% from a 2021 baseline 10 points higher, with streaming at 38% of total viewing. The Media Act 2024 is bringing Tier 1 VOD services (500,000-plus UK users) under broadcast-style Ofcom oversight from 2026, with accessibility code requirements (80% subtitling, 10% audio description, 5% sign language) phasing in over four years and maximum penalties of £250,000 or 5% of qualifying revenue per breach. Most media and entertainment marketing scopes written before 2024 do not reflect any of this.
Common briefs
Streaming subscriber acquisition and retention programmesTheatrical opening-weekend campaigns with PVOD and SVOD hand-offsMusic release marketing across pre-save, DSP pitching and short-form videoTV series sustain campaigns across linear and on-demandAds-tier and bundle launch campaigns for SVOD platformsAudience-development and discovery campaigns for indie film and contentAI-search visibility for "what to watch" and recommendation queriesAccessibility-compliant asset programmes ahead of Media Act 2024 enforcement
Regulatory landscape
Ofcom · BBFC · ASA · Media Act 2024
ratings, broadcast standards and price-claim transparency gate every promo

Three bodies and one new Act shape what UK media and entertainment marketing can say and run. Ofcom regulates the broadcast and VOD landscape: its Broadcasting Code already covers linear TV, and under the Media Act 2024 designated Tier 1 VOD services (more than 500,000 UK users) come under broadcast-style oversight from 2026, with viewers able to complain directly to Ofcom and accessibility targets of 80% subtitling, 10% audio description and 5% sign language phased in over four years. The BBFC classifies all theatrical features, shorts and trailers, applies the same guidelines to trailers as features (with notably stricter caution because audiences cannot opt out), and a trailer can carry a different rating from the film it promotes. Commercial advertising in cinemas is cleared by the Cinema Advertising Association separately. The ASA, applying the CAP Code, has been active on streaming-service marketing: a 2024 ruling against Sky UK (NOW) found ads breached rules 3.1, 3.3, 3.4, 3.9 and 3.10 by failing to make clear that basic plans included ads without the Boost upgrade, and a separate NOW website ruling required clearer disclosure of free-trial auto-renewal. The Digital Markets, Competition and Consumers Act 2024 also tightened auto-renewal and subscription-contract disclosure requirements that streaming and music-subscription marketing must now meet.

Specialist signals
5 signals
of real media and entertainment experience
  • · Named work for streamers, public-service broadcasters, film distributors or major or independent labels, with a clear view on what "good" looks like at platform scale rather than indie creator scale
  • · Release-window discipline that treats opening weekend, PVOD shift and SVOD drop as separate campaign phases with distinct creative, media and measurement, not a single launch push
  • · Subscription unit-economics fluency, with retention and churn modelled into the acquisition brief and a working view on ads-tier versus premium-tier acquisition costs
  • · BBFC and Ofcom-aware creative workflow: assets reviewed for rating impact before media plan goes live, with experience clearing trailers, in-platform promos and TV spots through compliance without rewrites in flight
  • · Talent, sync and rights-clearance literacy baked into creative budgeting, so campaigns are not blocked at the eleventh hour by music or likeness clearances that should have been priced at brief stage
Sector watch-outs
5 to watch
in any media and entertainment pitch
  • · Streaming price-claim copy that will not clear ASA: ad-tier inclusions, free-trial auto-renewal, "from £X" framing and bundled-plan comparisons have all generated rulings in the last 24 months
  • · Generic ecom playbook applied to subscription products, with CPA-only reporting and no view on lifetime value or churn curve - a churn-blind acquisition plan can post strong CPAs while destroying contribution margin
  • · No discipline on release-window timing, treating a theatrical campaign as a single push instead of separate opening-weekend, hold-over, PVOD and SVOD phases each with their own creative and KPI
  • · Weak BBFC pre-clearance process, where trailers and key art are cut without an eye on the rating and have to be re-edited mid-flight, blowing the spend behind a piece of creative that cannot run in the slots it was bought for
  • · Underestimated rights and clearance budgets in creative pitches - music sync, talent likeness and archive-footage clearances can run six figures on a single campaign and are routinely scoped as line items late
Frequently asked

What brands ask about agencies for media & entertainment.

5 questions our editors get most often, answered honestly. No agency-marketing speak.

Curated by humans

Retainers cluster in three bands. Indie labels, single-title film campaigns and smaller on-demand brands typically sit at £3,000-10,000 a month for a focused brief like paid social plus DSP pitching and CRM. Mid-market work for broadcasters, distributors and challenger streaming services runs £10,000-30,000 a month for integrated programmes covering paid, organic, creator, PR and reporting. Tier 1 SVOD platforms, the three major labels and studio theatrical accounts sit at £30,000-150,000 a month or move to project-based fees per launch, with seven-figure media plans wrapped around any global title window. Project work like a brand refresh, ads-tier launch creative or campaign for a single theatrical release is usually scoped separately at £50,000-500,000 plus. Music sync, talent-likeness and archive-footage clearances are routinely six figures on top of that for any campaign that uses third-party IP, and should be priced at brief stage rather than late.