864 agencies indexed·Latest entry: 28 August 2026
Home/Industries/Media & Entertainment
Industry · 178 agencies

Media & Entertainment agencies.

Media and entertainment marketing is the discipline of launching and sustaining audiences for streaming services, broadcast TV, theatrical films, music releases and publishing or gaming-adjacent IP. It is distinct because subscription churn maths governs everything for streamers, theatrical release windows have compressed to weeks rather than months, and BBFC, Ofcom and ASA rules gate what can run as creative.

At a glance
  • 178 UK agencies with media & entertainment experience
  • Across 29 UK locations
  • Reviewed 18 May 2026
Showing 121-144 of 178 media & entertainment agenciesView in full archive
Propeller logo
Propeller
Independent·London·11-50 Employees

For over twenty years, Propeller has specialised in aiding clients to overcome the critical obstacles that hinder their success and disrupt their peace of mind. Propeller takes pride in partnering with renowned brands such as Twinnings, Young's, Kellogg's, Aman, Boy Smells, and several others. Functioning as an integral part of your in-house team, Propeller delivers vital strategic advice, technic

Favoured logo
Favoured
Independent·London·11-50 Employees

Indigital XYZ, a London-based, data-centric, top-to-bottom marketing agency, distinguishes itself by seamlessly integrating avant-garde performance methodologies with premier creative production. This harmonious fusion of creativity and analytics not only sets Indigital XYZ apart in the fiercely competitive marketing arena but also ensures bespoke strategies for its clients, yielding tangible resu

SEO Leaders logo
SEO Leaders
Specialist·Sheffield·2-10 Employees

As a leading SEO company, SEO Leaders is a dynamic, results-driven agency committed to enhancing lead generation and profitability for its clientele. Our primary focus is on prioritising business objectives in our SEO approach, assuring the success of all clients, whether they require an entire website creation with sustained SEO backing or an SEO blueprint for an existing site. Our speciality lie

Wilderness Agency logo
Wilderness Agency
Independent·London·11-50 Employees

Wilderness Agency, a vibrant ensemble of dedicated social strategists, adept content developers, and media experts, is a hub of innovation and creativity. Our youthful and inventive team thrives on inspiration and creative energy. Wilderness Agency specialises in several fundamental areas: - **Strategy**: Powered by profound insights, we cultivate and enhance digital communities, producing sign

Kyan logo
Kyan
Independent·London·11-50 Employees

With a rich heritage rooted in Guildford, Surrey, Kyan is a pioneer in the sphere of web and mobile design, as well as development. Boasting over 20 years of industry experience, Kyan excels in delivering bespoke digital solutions, adeptly addressing intricate challenges across a broad range of sectors using cutting-edge technology. Their distinctive methodology fuses brand strategy, user-focused

Versantus logo
Versantus
Independent·Oxford·2-10 Employees

Versantus, a distinguished UK-based agency, excels in crafting innovative website strategies, interactive design, and seamless user experiences, complemented by efficient development, ongoing support, and robust hosting services. With a demonstrated proficiency in managing a plethora of content management systems, such as WordPress and Drupal, Versantus is renowned for delivering successful digita

Digital Glue logo
Digital Glue
Independent·Birmingham·11-50 Employees

Digital Glue, a Birmingham-based marketing firm, excels in devising bespoke, outcome-oriented campaigns for avant-garde tech enterprises. Our comprehensive suite of services includes go-to-market planning, product PR, social media interaction, and paid promotions, all underscored by a steadfast focus on quantifiable performance. What distinguishes Digital Glue is our dedication to no-nonsense mark

Omni Productions logo
Omni Productions
Independent·London·2-10 Employees

As a Bristol-based video production agency, Omni Productions extends its exceptional services throughout Cardiff, Manchester, Birmingham, Brighton, London and beyond, on an international scale. Omni Productions stands out with its customised approach to video content creation that perfectly matches each client's distinctive vision. As a proud and certified B Corp, they are committed to making a po

Prodigious logo
Prodigious
Network·London·501-1000 Employees

Prodigious London, a leading agency situated in the heart of London, provides an all-encompassing suite of production services, meticulously designed to cater to the requirements of top global brands. The nucleus of their services encompasses film production, art production, content creation, and the management of social media, augmented with a comprehensive range of post-production services such

Supersonic Playground logo
Supersonic Playground
Independent·Kent·11-50 Employees

Located in Maidstone, Kent, Supersonic Playground is a distinguished web development agency, also boasting an additional branch in Leamington Spa. Renowned for its expertise in crafting premium, responsive WordPress and WooCommerce websites, our agency delivers cost-effective and custom solutions for businesses, ranging from budding start-ups to global corporations. With a skilled in-house crew an

Digital Marketing Specialist logo
Digital Marketing Specialist
Independent·Bath·2-10 Employees

Digital Marketing Specialist Ltd., a London-based digital marketing agency, excels in delivering scalable, efficient digital marketing strategies across a broad spectrum of industries such as entertainment, ecommerce, and hospitality in the UK. Utilising industry-leading methods in paid media, SEO, analytics, and email marketing, the agency sets itself apart. Demonstrating a successful history of

Rare Form New Media logo
Rare Form New Media
Independent·Oxford·2-10 Employees

Rare Form New Media, an Oxford-based web design agency in the UK, is renowned for its exceptional commitment to crafting market-oriented websites with striking visuals and superior functionality. Spearheaded by a team of women, this agency ensures that clients' websites not only draw in, but also retain, potential customers. By removing the need for intermediaries, Rare Form New Media fosters a di

Splitpixel logo
Splitpixel
Independent·Leeds·11-50 Employees

Established in 2008, Splitpixel has been steadfast in its mission to amplify the digital footprint of brands. Our Yorkshire-based boutique digital agency excels in bespoke web design, brand growth, marketing support, and consulting services, all tailored to achieve your digital goals. Committed to addressing digital challenges with a unique perspective, Splitpixel ensures each solution we create p

Burst Digital logo
Burst Digital
Independent·London·11-50 Employees

Burst Digital, a premier branding and marketing agency, has its operational bases in the renowned cities of London, New York, and San Francisco. This distinguished agency is distinguished by its team of mavericks and digital creatives who are committed to igniting brands with a surge of excitement via impactful visual branding, cutting-edge web design, and precise digital marketing. Burst Digital'

Hearts & Science logo
Hearts & Science
Network·London·1000+ Employees

Hearts & Science is a London-based marketing agency specialising in forging meaningful, large-scale emotional bonds via ground-breaking media strategies. Core services encompass media planning, data analytics, and consumer insights, devised to seize attention in a progressively segmented media environment. The agency's distinct selling point is their aptitude to remodel media strategies, nurturing

WPR logo
WPR
Independent·Birmingham·51-200 Employees

WPR Agency, a distinguished PR agency recognised globally for its multiple awards, is strategically situated in Birmingham. Renowned for its capacity to generate engaging discussions and alter perceptions, WPR provides an all-encompassing array of services encompassing consumer and B2B PR, paid media, social, search, and design. With a robust emphasis on individuals, objectives, and the environmen

Beyond logo
Beyond
Independent·London·51-200 Employees

Beyond, a renowned cloud services firm, operates in key locations including San Francisco, New York City, Mexico City, London, and Lisbon. With a unique expertise in data, AI, and cloud technologies, Beyond excels in providing customised solutions like AI-enhanced customer interactions and workplace solutions. Trusted by leading industry pioneers such as Google, Beyond is recognised for delivering

Digital Media Team logo
Digital Media Team
Independent·Manchester·11-50 Employees

Digital Media Team, a Manchester-based digital marketing agency, excels in the realm of paid social, PPC & Google Ads, and email marketing, providing a strategic approach that drives optimal online growth. Tailoring each campaign to engage the correct audience precisely when it counts, this distinct brand stands out from the crowd. Moreover, they specialise in offering bespoke services such as Sho

Digitas logo
Digitas
Network·London·501-1000 Employees

Digitas, a London-based agency, specialises in a comprehensive suite of digital marketing solutions, concentrating on forging impactful relationships via inventive campaigns and platforms. Their core services encompass campaign creation, app development, and digital strategy, as illustrated by projects such as the OREO Press Play campaign and the Official Glastonbury 2022 App. Digitas' distinctive

Epsilon logo
Epsilon
Network·London·1000+ Employees

Epsilon is a London-based agency specialising in an all-inclusive range of marketing services, with a focus on retail media, digital marketing and customer engagement. Their flagship offerings include Epsilon Retail Media, an AI-powered, person-first solution designed to boost shopper loyalty, and Epsilon PeopleCloud, a platform that tailors customer journeys for unparalleled marketing efficacy. E

Boom Online Marketing logo
Boom Online Marketing
Independent·Nottingham·11-50 Employees

Boom Online Marketing is a premier digital marketing agency situated in the East Midlands, UK, with a focus on home retail and eCommerce industries. This agency distinguishes itself with an extensive array of services, comprising SEO, PPC, content marketing, and conversion rate optimisation, all meticulously designed to enhance online presence and boost sales. Their distinctive methodology incorpo

Comms8 logo
Comms8
Independent·London·11-50 Employees

Comms8 is a multi-located marketing agency with a presence in London, Hong Kong, and Tokyo, dedicated to enabling brands to penetrate international markets via cohesive marketing solutions. Acclaimed for its award-winning methodology, this agency has been honoured at prominent award ceremonies such as Cannes Lions and The Drum Digital Awards. Comms8 is the go-to partner for top-tier global compani

Design Cloud logo
Design Cloud
Independent·Manchester·2-10 Employees

Design Cloud, a Manchester-based graphic design firm, is revolutionising the UK design industry with its unique subscription-based service. This distinctive model offers unlimited graphic design requests and modifications at one fixed monthly cost, enabling businesses to effectively scale their design requirements without the usual expenses of in-house recruitment or freelance engagement. Taking p

Hex Digital logo
Hex Digital
Independent·London·11-50 Employees

Hex is a London-based experience design agency specialising in developing digital experiences for organisations dedicated to sustainability. Hex's unique selling point is their all-encompassing design methodology, which includes branding, web development, and digital product creation that not only grabs attention but also drives conversions and delivers performance. Their established expertise in

Page 6 of 8
Editor's note
AgencyIndex lists 171 UK agencies positioning into media and entertainment. They split across a handful of recognisable shapes: streaming and SVOD work for the global platforms and their UK launches, broadcast TV work for the public-service broadcasters and their on-demand arms, film and theatrical marketing for studios and independents, music marketing for the three majors (Universal, Sony, Warner) and the 500-plus BPI independents, and a smaller slice working publishing and gaming-adjacent IP. Most are clustered in London where the platforms, broadcasters, labels and distributors sit, with notable Manchester and Bristol pockets tied to MediaCityUK and the BBC. The sector is distinctive for several reasons. Subscription churn maths drives every brief for a streamer: the cost of acquiring a subscriber has to clear lifetime value across a churn curve that the marketing itself is partly shaping. Theatrical release windows have compressed sharply from the pre-pandemic 90-day standard, with Universal at roughly 17 days to PVOD on some titles, Paramount at 30 days, and the wider industry settling around 45 days as a working norm. Disney's average to its own PVOD window in 2025 sat at 57 days. That compression forces opening-weekend campaigns into much narrower attack windows. Compliance overhead is unusually heavy: BBFC ratings gate trailers and creative assets for theatrical and on certain digital surfaces, Ofcom's Broadcasting Code applies to linear and (under the Media Act 2024) increasingly to designated VOD services, and the ASA has been active on streaming-subscription price-claim transparency. Talent, music-sync and rights clearance are baked into creative production costs in a way that does not exist in most other sectors. What is shifting in 2025 and 2026 is the discovery layer and the regulatory perimeter at the same time. AI Overviews now appear on a sharply growing share of entertainment queries, intercepting "what to watch tonight" and "is X good" queries before the click, and Nielsen-cited research puts 49% of Gen Alpha already preferring AI chatbots as their primary recommendation source. SVOD penetration has plateaued at around two-thirds of UK households and selectivity is rising: Barb data shows ad-supported tiers (35% of Netflix homes, 30% of Disney+ homes in Q3 2025) becoming the volume battleground rather than premium ad-free. Linear TV's weekly reach has fallen to 73.8% from a 2021 baseline 10 points higher, with streaming at 38% of total viewing. The Media Act 2024 is bringing Tier 1 VOD services (500,000-plus UK users) under broadcast-style Ofcom oversight from 2026, with accessibility code requirements (80% subtitling, 10% audio description, 5% sign language) phasing in over four years and maximum penalties of £250,000 or 5% of qualifying revenue per breach. Most media and entertainment marketing scopes written before 2024 do not reflect any of this.
Common briefs
Streaming subscriber acquisition and retention programmesTheatrical opening-weekend campaigns with PVOD and SVOD hand-offsMusic release marketing across pre-save, DSP pitching and short-form videoTV series sustain campaigns across linear and on-demandAds-tier and bundle launch campaigns for SVOD platformsAudience-development and discovery campaigns for indie film and contentAI-search visibility for "what to watch" and recommendation queriesAccessibility-compliant asset programmes ahead of Media Act 2024 enforcement
Regulatory landscape
Ofcom · BBFC · ASA · Media Act 2024
ratings, broadcast standards and price-claim transparency gate every promo

Three bodies and one new Act shape what UK media and entertainment marketing can say and run. Ofcom regulates the broadcast and VOD landscape: its Broadcasting Code already covers linear TV, and under the Media Act 2024 designated Tier 1 VOD services (more than 500,000 UK users) come under broadcast-style oversight from 2026, with viewers able to complain directly to Ofcom and accessibility targets of 80% subtitling, 10% audio description and 5% sign language phased in over four years. The BBFC classifies all theatrical features, shorts and trailers, applies the same guidelines to trailers as features (with notably stricter caution because audiences cannot opt out), and a trailer can carry a different rating from the film it promotes. Commercial advertising in cinemas is cleared by the Cinema Advertising Association separately. The ASA, applying the CAP Code, has been active on streaming-service marketing: a 2024 ruling against Sky UK (NOW) found ads breached rules 3.1, 3.3, 3.4, 3.9 and 3.10 by failing to make clear that basic plans included ads without the Boost upgrade, and a separate NOW website ruling required clearer disclosure of free-trial auto-renewal. The Digital Markets, Competition and Consumers Act 2024 also tightened auto-renewal and subscription-contract disclosure requirements that streaming and music-subscription marketing must now meet.

Specialist signals
5 signals
of real media and entertainment experience
  • · Named work for streamers, public-service broadcasters, film distributors or major or independent labels, with a clear view on what "good" looks like at platform scale rather than indie creator scale
  • · Release-window discipline that treats opening weekend, PVOD shift and SVOD drop as separate campaign phases with distinct creative, media and measurement, not a single launch push
  • · Subscription unit-economics fluency, with retention and churn modelled into the acquisition brief and a working view on ads-tier versus premium-tier acquisition costs
  • · BBFC and Ofcom-aware creative workflow: assets reviewed for rating impact before media plan goes live, with experience clearing trailers, in-platform promos and TV spots through compliance without rewrites in flight
  • · Talent, sync and rights-clearance literacy baked into creative budgeting, so campaigns are not blocked at the eleventh hour by music or likeness clearances that should have been priced at brief stage
Sector watch-outs
5 to watch
in any media and entertainment pitch
  • · Streaming price-claim copy that will not clear ASA: ad-tier inclusions, free-trial auto-renewal, "from £X" framing and bundled-plan comparisons have all generated rulings in the last 24 months
  • · Generic ecom playbook applied to subscription products, with CPA-only reporting and no view on lifetime value or churn curve - a churn-blind acquisition plan can post strong CPAs while destroying contribution margin
  • · No discipline on release-window timing, treating a theatrical campaign as a single push instead of separate opening-weekend, hold-over, PVOD and SVOD phases each with their own creative and KPI
  • · Weak BBFC pre-clearance process, where trailers and key art are cut without an eye on the rating and have to be re-edited mid-flight, blowing the spend behind a piece of creative that cannot run in the slots it was bought for
  • · Underestimated rights and clearance budgets in creative pitches - music sync, talent likeness and archive-footage clearances can run six figures on a single campaign and are routinely scoped as line items late
Frequently asked

What brands ask about agencies for media & entertainment.

5 questions our editors get most often, answered honestly. No agency-marketing speak.

Curated by humans

Retainers cluster in three bands. Indie labels, single-title film campaigns and smaller on-demand brands typically sit at £3,000-10,000 a month for a focused brief like paid social plus DSP pitching and CRM. Mid-market work for broadcasters, distributors and challenger streaming services runs £10,000-30,000 a month for integrated programmes covering paid, organic, creator, PR and reporting. Tier 1 SVOD platforms, the three major labels and studio theatrical accounts sit at £30,000-150,000 a month or move to project-based fees per launch, with seven-figure media plans wrapped around any global title window. Project work like a brand refresh, ads-tier launch creative or campaign for a single theatrical release is usually scoped separately at £50,000-500,000 plus. Music sync, talent-likeness and archive-footage clearances are routinely six figures on top of that for any campaign that uses third-party IP, and should be priced at brief stage rather than late.